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May 29, 2015

Ola Szpunar: Summer Sunlight

I recently returned from a trip to Texas where the days were unexpectedly filled with clouds, rain, and chilly temperatures. When I saw Ola Szpunar's "Summer" series, the images matched what I had thought my trip would look like: scenes of warm, sun-drenched indoor and outdoor settings. You cannot feel any other season besides summer when observing these pictures, not only from the sunny glow emanating from each scene. I see myself as the girl standing near the sink in a bikini top and black pants, coming in from the pool to take a break from the sun.

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May 22, 2015

Elena Chetverik: Hide and Seek

I have to let my emotions get the better of me on this post: I LOVE this series. I don’t understand everything that is going on in this game of hide and seek, I don’t know what happens when each character is found. Why are they wearing animal masks? In what kind of world does this take place? The viewer is left to either answer these questions, or leave them unanswered.

There’s a balance between beautifully illustrating a scene and telling a story. This series by Elena Chetverik allows the two to meet in the middle. The story exists but is not defined. The people are over-large, awkwardly positioned, the setting rough and unfinished and yet both have more character than had they been drawn down to the last detail. Elena’s style is so much her own: her shading haphazard, her lines imperfect. I love it all.

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May 12, 2015

Dorothy Leung: Etched into Paper

In one of the gallery sections of Dorothy Leung's website, she describes how viewing vintage cartoons at a museum in Basel created a turning point in her style as an illustrator. The influence of that style is apparent in the tiny line after line after tiny line and minuscule details of this plant series. The dark lines seem scratched into the surface so deeply and precisely as if they are etched in my screen. I see more influence than just the vintage cartoons in these pieces - she has imitated the bare layout used in old drawings cataloging flowers, plants and vegetables.

Dorothy is an expert in creating delicate dimension with only these small lines. With mostly very thin objects, she knows how to meticulously layer the lines to create a tiny shadow. She is creating all these drawings of plants as a part of #The100DayProject, and will have a beautiful, complete series – her own plant catalog - once the 100 days come to an end.

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May 8, 2015

I Tried to Draw You Last Night

Brandon Vosika's series "I Tried to Draw You Last Night" feels like a tribute to friendship. He's caught his friends in natural poses; the drawings feeling as easy and sincere as a friendship should be. It's not a simple task to draw people who are close to you – you want them to see the thought and care you put into making something just for them.

Brandon's technique and use of materials is another aspect of these pieces that caught my eye. He's painting with watercolor but not on watercolor paper, hence the uneven wrinkling of the paper. Brandon's rejection of "proper" materials enhances the casual nature of the pieces. I love his varying line weight in each of the drawings. Shapes and forms are suggested, lines trail off into nothing - these are truly sketches, but as personal pieces and as a body of work, they feel like more than an afterthought dashed off on a scrap piece of paper.

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May 5, 2015

Mitchell Goodrich: Seen at Miami Zine Fair

While squeezing through the narrow aisles of the recent Miami Zine Fair, I came across Mitchell Goodrich and his work at a small but very neat table. His defined style immediately drew me in as something familiar but still unique.

The doodled objects float in space like points in a conversation: all connected by a theme but not uttered in a required order, just waiting for their turn to become relevant. Mitchell expertly captures what is so whimsical and wonderful about doodling, but also how it can be more than a mindless pastime. His work was a standout at the zine fest, the monochromatic drawings lending themselves perfectly to photocopied pages of a hand-bound book.

Mitchell moves easily from monochromatic to pieces energized by color and more cohesive design. Long Dog and End of a Summer Bummer are beautifully colored examples of how his style can transition from simple black doodles to fluid imagery chock-full of action and cohesive hilarity.

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May 4, 2015

Serial Doodling

I began following Eric von Boxtel on Instagram a few months ago, when his layered and full-colored doodles popped up on my feed. They instantly caught my attention because there's probably nothing I like more than thick black doodled lines over a backdrop of color. It looks easy, it looks like a mish mash of a mess, like a kid who might have gotten away with a box of markers, but it's not at all the case.

These scribbles and shapes of color are intentional and come together so perfectly. I love looking at each spread, trying to find something new or to figure what he's drawn first on the page. If you want to be mesmerized for a full minute and forty-five seconds, watch this time-lapse video.

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April 12, 2015

People Paper Shapes



I recently participated in a collage contest, and at times felt like I was all thumbs while trying to cut out tiny slivers of paper at just the right size. In her piece Citypass Jerusalem, Iris Kost has mastered the technique of embracing the non-perfection that comes with the process of cut-out paper shapes, all the while making it look whimsical, simple, and adorable. Her characters all have such expression and uniqueness, and I love the bright color palette. Iris makes the experience of riding the train into a lovely, pleasant one, one where you just might meet someone as interesting and creative as Iris.

Iris Kost does more than paper art check out her website and Flickr!





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